DMARC is the home to artistic research from the disciplines of Performing Arts, Music, Media, Art and Design within the School of Arts. Among other forms, our researchers explore the potential of hybrid art forms made possible by using digitalisation alongside the traditional arts, collaboration and working across disciplines. We share our research through our practice, exhibitions and published text.
We are active in many national and international research events and activities, such as the FORMAT International Film and Photography Festival held in Derby and the Heritage Lottery-funded DerwentWISE project.
An exhibition of the artistic research of our academics celebrates the uniqueness of artistic research and its possibilities. Books, films, objects, drawings and prints are among the creative artefacts included to show the diversity of artistic delivery that is possible. We held our Arts Research Exhibition 2018 at our Markeaton Street site in Derby.
Our research groups
Our DMARC research is based around seven research groups.
Animal is a term used widely to name any living creature other than the human. We use it to describe physiological, behavioural or psychological difference. And it designates the non-human in a manner that is often pejorative.
The interdisciplinary field of animal studies has, as a consequence, grown in significance in recent years. It has scholars and artists dedicated to challenging anthropocentrism (centred on humans) and exploring what it is to be animal in its many forms.
The researchers in our group contribute to this debate, as they interrogate what it is to be beyond the human. We look at microbes, mammals, political action, marginalisation, extremity, resistance and beastly behaviour.
This group offers thoughtful and provocative readings of this world of difference through practical and theoretical acts of research and dissemination. It is led by Ang Bartram and Steve Baker.
A/r/tography is a research methodology that addresses pedagogy through the lens of the multiple identities of the artist/creative, researcher and teacher. The artistic medium engages the self through embodied learning to reflect on one’s practice as a teacher through their artistic sensibility. The methodology offers a fluid and dynamic orientation that is not based on a final research outcome, but a deepening of understanding through a living inquiry of one’s practice. This is not reliant on logical development, but explores the intuitive self and the many tensions and contradictions through the creative process.
A/r/tography is about self-study in the context of a community of a/r/tographer’s to find new meanings through the dynamics of this inter-connected relationship. The research group offers opportunity in a community context to develop oneself as a researcher, creative to inform teaching practice. The intention is to develop a supportive network to share visual artworks, designs, films, installations, dance, musical compositions, dramatic work, poems, stories and research narratives to inform professional development through a co-creative dynamic. It is through the co-creative dynamic that new knowledge of pedagogy is constructed.
Led by Drew Bird.
The basis for this research group is to explore and further the objectives of Laszlo Moholy-Nagy, a utopian artist who believed that art could work hand-in-hand with technology for the betterment of humanity. Commercial cultures, explores the exciting overlap between art, commerce, technology and philosophy to further understand the subtle forces that act upon creative work and often define their form. The research group was created to explore the divergent and convergent relationship between political and social ideologies and the harder edges of economic and technological progress.
Commercial Cultures explores the changing cultures that exist around different types of commercially produced work. The research could inform and critique the ways in which commercial practices and technology intersect, changing the ways in which we view and create commercial work. In photography, in particular, there is research in commercial photographic history but no discreet area where osmosis between practice, history, theory and business could coincide and produce meaningful discourse.
The group, led by Dr. Mark Hall, aims to benefit those particular industries where art and commerce overlap and where technology shapes development, alongside aesthetic production and distribution. Academic study in these and allied areas, the exchange of knowledge and ideas has the potential facilitate meaningful creative partnerships with industry.
We will explore disability and inclusiveness in a project that will include two feature-length films, articles and exhibitions. The group is led by Christine Templeton-Parker.
Civic Lab is an interdisciplinary research group centred on participatory culture, creative dialogue and experiential design for social impact. How do we build communities (Manzini, 2019) and how can we create the conditions in which those communities can sustainably develop, innovate and thrive within the social, economic, environmental and cultural challenges of the 21st century?
Researchers and practitioners in the Lab amalgamate a diverse span of creative practices and perspectives across the arts and social sciences to contribute to this burgeoning field of enquiry; interrogating, extending and redefining the value of creative practice to the public sphere. As a research forum for partnership and transfer of knowledge and best practices, the lab offers thoughtful and provocative readings of this sphere, through practical and theoretical acts of research and dissemination.
The Lab promotes and supports a wide range of multidisciplinary creative research activities working with external cultural partners, public, commercial and third sector organisations, educational institutions and international networks. Through public engagement, participation and collaboration we aim to develop, deploy, evaluate and publish projects, works and methodologies which engender sustainable social, environmental and cultural impact.
This research group is aligned to The Digital and Material Artistic Research Centre (DMARC) at the University of Derby, which addresses the shifting boundaries within the terrain of creative and artistic research.
The work of the lab articulates a public pedagogy which effaces the boundaries between research, teaching, and the University’s civic agenda to create a positive impact in a range of contexts including, but not limited to:
- socially engaged artistic research practice
- health and wellbeing
- social justice, mobility and inequality
- participatory placemaking/place-reshaping
- play, pedagogy and educational development
- cultural heritage and belonging
It is led by Dr. Rhiannon Jones and Matt Hawthorn
For all enquiries, including membership of research group please contact R.Jones3@derby.ac.uk and email@example.com
Research Arts and Wellbeing (RAW)
The main aims of the research group are to support colleagues from across the College and wider University in stimulating and collaborating in research around all aspects of arts in health and wellbeing, across all forms of visual and performance arts as well as all forms of arts therapies. By offering a range of lectures and talks from colleagues from across the University and further afield, it will assist all staff in identifying potential collaborators and facilitating communication between researchers and teaching staff, and lead to publishing collaborative research papers, books, and book chapters in these related fields.
The cluster will be chaired by Dr. Clive Holmwood, Associate Professor in the Discipline of Therapeutic Arts, and Co-chaired by Professor Susan Hogan, both based within the School of Arts, within the College of Arts, Humanities and Education.
This research group considers the work of artists, photographers and filmmakers in both an historical and contemporary context. We will also investigate the issues of creating spaces for work to be shown or disseminated. There is a particular interest in the work of women artists who are under-represented in terms of visibility and exhibition space. The group will also consider different ways to curate, exhibit, and display work in order to enhance circulation, visibility and critique. The focus of Spaces/Places will emerge via discussion and participants’ research interests.
Spaces/Places is partly inspired by the work of Agnès Varda. She included art, photography and filmmaking within her work and challenged ideas about representation and inclusion. We are interested in the ways in which women’s art and other work has often been marginalised and the extent to which visibility and access can create further discourse and dialogue. The spaces explored may be physical or digital, traditional or alternative and will place artists and their work within a wider critical dialogue. Spaces/Places welcomes members who are within and external to the University and collaboration is a significant aspect of our approach. The group is led by Teresa Forde.
Your PhD - study with us
We welcome applications for PhD artistic research study in practice and theory. We can offer you an intellectually stimulating environment through the subject clusters of Media, Performing Arts, Art and Design. Our PhD programme gives you a freedom to pursue new and innovative ideas within and beyond these areas, guided by experienced and leading academics in the field and sector.
Interdisciplinary and cross-school research projects are considered, such as those that straddle Arts and Health and Arts and Humanities. We are open to discussing proposals that stimulate and engage through creative exploration and invite you to enquire about ways we can support your PhD study. We also have a number of self-funded PhD options that are aligned to the research strengths of our staff.
If you would like to discuss your project proposal with us, then please contact Dr Angela Bartram, Head of Arts Research and DMARC, at firstname.lastname@example.org and Dr Robert Burstow, Post-Graduate Research Lead for the School of Arts, at email@example.com.
Alternatively, please contact the project supervisor/s of the self-funded PhD you are interested in pursuing.
The objectives of DMARC are to:
- Engage with artistic research practice and theory, and advance knowledge
- Work in partnership with the creative and cultural industries, regionally, nationally and internationally
- Create an engaged and supportive research environment to develop the concept of the ‘Cultural Campus’
- Collaborate across disciplines and be highly visible in practical and theoretical research dissemination
- Be a key contributor to the developing international artistic research agenda
We hold our regular Arts Talk series with guest speakers.
|5-6pm Wednesday 28 November
Room MS146 School of Arts,
|5-6pm Wednesday 14 November
Room MS023 School of Arts,
Between theory and practice: art and the question of contemporaneity
|5-6pm Wednesday 31 October
Room MS146 School of Arts,
Dr Michael Lent
|5-6pm Wednesday 17 October
Room MS146 School of Arts,
||5-6pm Wednesday 26 September
||Room MS146 School of Arts,