Staff profile

Rebecca Howard


Lecturer in Creative and Cultural Industries

Rebecca Howard staff profile pic

Subject

Art and Design

Department

Innovation and Research

ORCiD ID

0000-0001-5317-0001

Campus

Kedleston Road, Derby Campus

Email

r.howard@derby.ac.uk

About

I am a contemporary photographic artist and Lecturer in Creative and Cultural Industries at the University of Derby. This involves a combination of research and lecturing in fine art and photographic practices and theory.

I belong to an artist-research group called Proximity Collective based in Manchester, Cumbria, Blackpool and Leeds. Together, we explore the social and spatial aspects of practice-based research and notions of convivial aesthetics. I also co-created NMRG (New Materialist Reading Group) at UoD with Dr. Victoria Sharples. Together, we facilitate interdisciplinary research activities with a focus on 'new materialist' approaches to art practice. 

My photography practice engages with architecture, sculpture, installation, and model-making to playfully investigate the ways in which photographic images intersect with the built environment and shape our experiences of place and space. 

My PhD research at Manchester School of Art titled Manifold draws on aspects of baroque architecture, paper design, installation practices, and theories of folding, to explore the photographic paper-print as a generative, form-making tool. 

Teaching responsibilities

Professional interests

Research interests

The doctoral research emerges from art practice and an interest in the relationship between photography and the built environment, in particular the ways in which photographic images shape and mediate our experiences of buildings and places. 

This study combines creative practice and theory to determine the generative and transformative capabilities of the photographic paper print and its potential to transform and reconfigure 'banal' 'everyday' or 'unremarkable' architectural spaces. Through a series of creative experiments, I explore the materiality of the paper print and the form-making, shape-shifting effects of cutting, folding, installing and rephotographing it. Drawing from theories of 'the fold' (Deleuze, 1988) and baroque aesthetics, I consider how a 'standard' sized photographic print can be transformed into something 'non-standard' and variable.

Qualifications

Recent conferences

Experience in industry

Recent Exhibitions/Installations 

Group

Solo

UK Residencies 

International experience

International Residencies 

Recent publications