On Wednesdays, 4-6pm at Markeaton Street, room 200.
|24/02/16||Ava Hunt||Further research dissemination on International Applied/Political Theatre platforms|
|16/03/16||Sebastian Blackie||A Tasty Dish & Top Ten Tips for Bid Writing Report|
|06/04/16||Chris White||Research Metrics Strategy|
|13/04/16||Caroline Locke||The Value Of Labour - Investigations and Three Preliminary Works|
|20/04/16||Paul Vandermast-Bell||Exploring Digital Repetition in Electronic Dance Music Performance|
Christine Parker at Quad, Derby
|PhD by Published works – and now what shall I do with it?|
|11/05/16||Michael Brown||A Cage for the Music and the Limits of Invention|
|18/05/16||Darren Daly & Amanda Wallace||
‘Filtered’ (Performance) - How does Sealey’s “Aesthetics of Access” impact upon the creation of new theatre, with a primary focus on access for visually impaired audiences?
|25/05/16||Peter Lennox||Creative inhibition: How to destroy creativity?|
|01/06/16||Phil Baggaley||THE SAME SKY - A Musical: Three Months to Write Thirty Years to Make|
|08/06/16||Ian Neal||Theorising Illustration|
|15/06/16||Marc Bosward||Reality Fragments: Found Footage, Spatial Video Collage, and Non-Fiction Explorations of the Socio-Historical World|
|22/06/2016||Tim Shore||Derby Omphalos – work in progress for a D-LAB digital arts commission|